Through a long absence, have not been to meīut oft, in lonely rooms, and 'mid the din Or of some Hermit's cave, where by his fire Of vagrant dwellers in the houseless woods, With some uncertain notice, as might seem Sent up, in silence, from among the trees! Green to the very door and wreaths of smoke Of sportive wood run wild: these pastoral farms, These hedge-rows, hardly hedge-rows, little lines Which at this season, with their unripe fruits,Īre clad in one green hue, and lose themselves These plots of cottage-ground, these orchard-tufts, Thoughts of more deep seclusion and connect
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These waters, rolling from their mountain-springsĭo I behold these steep and lofty cliffs, Lines Composed a Few Miles above Tintern Abbeyįive years have past five summers, with the length This allows the poem to be read as one side of a conversation rather than a grand declaration.
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The choice by the poet to avoid using any discernible rhyme scheme was due to the fact that he was addressing another person. The first beat is unstressed, followed by one stressed. This type of verse is made up of five sets of beats per line. Throughout the poem can be found the pattern of iambic pentameter. ‘ Lines Composed a Few Miles above Tintern Abbey‘ is not written with a clear rhyme scheme, but rather, the poet has focused on the meter. The speaker is not alone as he describes the world around him, but he is the only voice that the reader will hear. William Wordsworth’s poem has qualities of both a dramatic monologue and a lyrical ballad.